By the end of the 19th century, musical instruments were sparsely found, hence musical communication was orally expressed through ballads, funny songs, weddings, laments, and so on.<\/p>\n\n\n\n
This is how this material was produced, which is a sung wedding dance. The bera\u00e7e sung dance comes in three parts, namely: marr\u00ebsi (the first soloist who starts the song or taker), prer\u00ebsi (the soloist who cuts it or cutter), and the one who holds the voice, i.e., iso sound.<\/p>\n\n\n\n
Marr\u00ebsi leads and sings the basic song text and prer\u00ebsi accompanies the lead voice. This duo comes to a climax in the dance. The dance consists of \u201cmoderato\u201d and \u201ccutting\u201d, which make the song and dance spectacular. People practiced and interpreted this genre to revive the element of continuity. This material is performed at 2\/4 or 7\/8 rhythmic measure.<\/p>\n\n\n\n
In terms of choreography, the dance starts in a linked circle. It keeps repeating the same step with korife (the lead dancer) starting the song accompanied by prer\u00ebsi and the others holding the iso. The move is very intricately merged with the varying rhythm of the song.<\/p>\n\n\n\n
\u201cHajde moj atje ne \u00e7ezm\u00eb e madhe,<\/p>\n\n\n\n
Bera\u00e7e moj, bera\u00e7e moj,<\/p>\n\n\n\n
Moj n\u00ebn\u00eb t\u00eb keqen po na lajn\u00eb ca \u00e7obanka,<\/p>\n\n\n\n
Bera\u00e7e moj, bera\u00e7e moj,<\/p>\n\n\n\n
Po na lajn\u00eb ca shajake,<\/p>\n\n\n\n
Le ti lajn\u00eb, ti zbardhojn\u00eb, me sapun le ti f\u00ebrkojn\u00eb,<\/p>\n\n\n\n
Prerja \u2013 Dhent\u00eb muar\u00eb pllaj\u00ebn\u00eb, lot \u00e7upa me djal\u00ebn-\u00eb,<\/p>\n\n\n\n
Dhent\u00eb mor\u00ebn fush\u00ebn e lot djali me \u00e7up\u00ebn.\u201d<\/p>\n\n\n\n
(Come, to the water spring,<\/p>\n\n\n\n
Hey bera\u00e7e bera\u00e7e,<\/p>\n\n\n\n
Hey mother, look what herds girls are doing,<\/p>\n\n\n\n
Hey, bera\u00e7e, bera\u00e7e,<\/p>\n\n\n\n
They are washing some felt clothing,<\/p>\n\n\n\n
Let them wash, have it as white as snow,<\/p>\n\n\n\n
Prerja\/cutting \u2013 Cattle got up the hill and the girl chats the boy up,<\/p>\n\n\n\n
Cattle across the field and the boy chats the girl up.)<\/p>\n\n\n\n
This sung dance takes up an important place in the fund of folkloric source materials of Kor\u00e7a District.<\/p>\n","protected":false},"excerpt":{"rendered":"
By the end of the 19th century, musical instruments were sparsely found, hence musical communication was orally expressed through ballads, funny songs, weddings, laments, and so on. This is how this material was produced, which is a sung wedding dance. The bera\u00e7e sung dance comes in three parts, namely: marr\u00ebsi (the first soloist who starts […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[842],"tags":[873],"class_list":["post-3785","post","type-post","status-publish","format-standard","hentry","category-korce-municipality","tag-performing-arts"],"acf":[],"yoast_head":"\n